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《莎翁情史》男主角是谁扮演的
约瑟夫·费因斯 性别：男
英文名：Joseph Fiennes
生日：1970年5月27日
星座：双子座
国籍：英国
地域：欧美
身高：183cm
生平介绍：约瑟夫.费恩斯生于1970年英国的他，是拥有双子般迷人性格的新生代男演员。他和他的大哥瑞夫范恩斯（《英伦情人》《辛德勒的名单》《益智游戏》《复仇者》《奥斯卡与露辛达》）一样，都拥有古典与现代感十足的英挺外表，不同的是他更多了一份狂傲、骑士般的气息。
也许是他这份迷人的特质，近期两档英国古装大戏奥斯卡最佳影片《莎翁情史》和本片《伊丽莎白》不约而同地都找上他出任男主角。在金球奖与奥斯卡提名上的大出风头的这两部电影，对他来说是将自己推上世界舞台最好的聚光灯。
从艺术学校离开后，他开始在维多力亚青年剧团里工作，并接受Guildhall音乐戏剧学院的训练。之后一连串的戏剧磨练演出，果让让他在大屏幕上，无论是揣摩伊丽莎白女王的爱人，或饰演一代文豪莎士比亚，都能够让人信服及散发迷人特质。
他的电影作品是【偷香】。
还曾在经典狙击手电影《兵临城下》（2001）中饰演Commisar Danilov，在此片中与裘德·洛，艾德·哈里斯，雷切尔·薇姿，鲍勃·霍斯金斯，朗·普尔曼等人合作，成功塑造了一名在英雄身边的感情丰富而极为关键的红军政委。
他的最新影视作品是《未来闪影》，饰演Mark Benford。
莎翁情史中的莎士比亚是个女演员演的
不是啊，是个男演员。
片名:莎翁情史 (Shakespeare In Love) 导演:约翰麦登 编剧:汤姆史坦普 主演:约瑟夫.费因斯(饰莎士比亚) 格维妮斯.帕尔特洛 (饰薇拉)
照片http://news.sina.com.cn/richtalk/news/movie/oscar/71th/shakespeare/shakespeare.html
:《莎翁情史》介绍
莎翁情史 花絮 「莎翁情史」的拍摄起源其实很简单，编剧兼制片马克诺曼的儿子在学校研究伊莉莎白一世时期的剧作，他曾问父亲莎翁撰写「罗密欧与茱丽叶」的灵感来自何方，他认为那一定是个坠入爱河的人所写的，於是就衍生出「莎翁情史」这个有趣的故事。
诺曼认为莎翁的「罗密欧与茱丽叶」成功地融合许多重要的戏剧元素，一开始是个爱情故事和喜剧情节，最后风格遽变，一下子转变成下场凄惨的悲剧，这在当时是非常极端的风格。
由於莎士比亚本身已婚，因此诺曼想出故事就是，莎翁爱上他剧中的女演员，这样一来这段爱情注定不能结合，而且和「罗密欧与茱丽叶」的剧情互相呼应，增加戏剧的张力。
这时他又找来著名的剧作家汤姆史坦普协助编写脚本，他们注入许多喜剧元素和机智逗趣的对白，使得整部片不但有浪漫的爱情，也有许多多采多姿的甘草人物和对白。
对导演约翰麦登来先，找到两名登对的演员是拍摄此片的一大挑战，但是他很幸运找到清新可人的葛娓丝派特萝和聪明潇洒的约瑟夫范恩斯来担任男女主角。他们在银幕上擦出的火花是此片成功的一大要素。
其他的配角更是聚集了影坛最明才华的演员，例如奥斯卡影帝杰佛瑞罗许生动得演出剧场老板一角，还有曾获提名奥斯卡最佳女主角奖的茱莉丹契，饰演伊莉莎白一世。值得一提的是，葛妮丝派特萝的前男友班艾佛列克也客串一角，饰演一个大牌演员。
莎翁情史 幕后制作 莎士比亚是在怎样的情况下创作出《罗密欧与朱丽叶》的？编剧利用史料的空白，提出一种大胆假想。莎翁年代的舞台只有男演员，不用女演员，就像我国以前的京剧。欣赏该片需要大量文化背景，影片中还故意设置了许多“违反真实”的“穿帮细节”，制造出一种自嘲式幽默以及跟现实的纽带。片中演员均有一流的表演，帕尔特洛的维奥拉和丹奇的女王尤其值得称道。影片剧情峰回路转、台词风趣睿智、风格神采飞扬、内容丰富多彩，它借助莎翁的戏剧方式描写莎翁的生平事迹，中间还穿插着莎翁名剧的精彩片断，最后自己也取得了近乎莎剧的成就。本片荣获第71届奥斯卡最佳影片、最佳女主角、最佳女配角等7项大奖。一般认为，它将古装文艺片提升到一个全新的高度。1999年南加州大学的电影系学生拍摄了一部八分钟的短片，叫做《恋爱中的卢卡斯》（George Lucas in Love），用相同的套路表现当年大师兄卢卡斯创作《星球大战》的情形，十分爆笑。
求：《莎翁情史》的影评，要英文写的
If I had to name one film this year that would epitomize a truly ’faultless’ film, it would have to be “Shakespeare in Love“. It is rare to see a film in which the performances, writing, narrative structure, direction, humor, and production design combine to create an outstanding and enchanting piece of work that is in essence, pure poetry. Kudos to director John Madden (“Mrs. Brown“), and scribes Marc Norman and Tom Stoppard (“Rosencrantz and Guildenstern are Dead“) for validating that it is still possible to conceive a film that works so well on every level.
At its core, “Shakespeare in Love“ is your prototypical romantic comedy. And while romantic comedies have become rote as of late (witness “You’ve Got Mail“), this film breathes new life into this seemingly creatively-bankrupt genre. In this case, the year is 1593 and the romantic lead is Will Shakespeare (played by Joseph Fiennes, seen most recently in “Elizabeth“), the Bard himself. Unfortunately, Will is struggling for recognition in the crowded world of Elizabethan theater, competing with his more well-known contemporaries, such as Christopher Marlowe (an uncredited Rupert Everett, last seen in “My Best Friend’s Wedding“). Even more distressing, Will is suffering from writer’s block over his latest play, a comedy entitled “Romeo and Ethel the Pirate’s Daughter“.
With no love in his life, Will finds it difficult to be inspired, much to the chagrin of theater owner Philip Henslowe (Geoffrey Rush of “Shine“ and “Elizabeth“), who is hoping for a hit play that will help him settle some long overdue debts. However, Will ’finds his muse’ when he catches a glimpse of Viola de Lesseps (Gwyneth Paltrow of “Sliding Doors“), the beautiful daughter of a wealthy merchant. The attraction is mutual, as Viola finds Will’s writing poetically enchanting, and aspires to perform in one of his plays. The only problem is that Viola is already betrothed to the heartless Lord Wessex (Colin Firth), a union sanctioned by Queen Elizabeth (Judi Dench of “Tomorrow Never Dies“) herself.
Invigorated by Viola’s visage, Will puts quill to paper and his comedy begins to take shape. Meanwhile, Henslowe starts gathering actors for the production, including the self-absorbed master thespian Ned Alleyn (Ben Affleck of “Good Will Hunting“), some assorted riff-raff from the local watering hole, and an enigmatic but talented young man named Thomas Kent. Unbeknown to Will and the rest of the troupe, Thomas is actually Viola in disguise, as it is deemed illegal and immoral for women to appear on the stage. Like many of the plots found in the Bard’s work, complications arising from mistaken identities, gender-reversal, and deception will threaten to keep the two star-crossed lovers apart.
There is so much to rave about in “Shakespeare in Love“, that I do not know where to begin. First and foremost, the performances are strong all around, especially with the undeniable chemistry between Paltrow and Fiennes. Paltrow radiates an irresistible screen presence, and her ardent portrayal of Viola effectively conveys the passion that her character is meant to exude. She also brings a new appreciation to the oft-heard lines of “Romeo and Juliet“ with her distinctive and impassioned elocution, and even those who find Shakespeare uninteresting will sit up and take notice-- Shakespeare has never sounded so good.
Fiennes is ideally suited for portraying Shakespeare, with his ruggedly handsome features and his charming disposition. His adept handling of the material doesn’t hurt either. Affleck, Rush, and Firth manage to steal some of the limelight with their memorable performances. Dench is also a welcome addition to the ensemble with her portrayal of a Queen Elizabeth with attitude to spare. The well-crafted script also elicits excellent performances from the supporting cast, providing every member of the cast, no matter how small the part, a shining moment.
Second, the film’s very smart script is a perfect composite of modern sensibilities and the lyrical articulation of Shakespeare’s better works-- those familiar with the Bard’s writings will be delighted with the film’s numerous and witty references, and those not-so-familiar will still find the situational humor entertaining. The script also marvelously juxtaposes the action on the stage with the budding romance between Will and Viola, adding a whole new layer of subtext to the proceedings that adds to the film’s bittersweet emotional build-up. Finally, the film’s weighty third act is executed perfectly, reconciling all of the film’s narrative threads during a performance of “Romeo and Juliet“ and providing the audience’s pent-up emotions the opportunity for a welcome release.
It is not very often that a film like “Shakespeare in Love“ comes along. Remarkably well written, superbly acted, and adroitly executed, this is one truly satisfying, entertaining, and literate film. Not only is “Shakespeare in Love“ an instant classic, but it is also a tribute to one of the most beloved and well-known writers of all time.
