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米开朗基罗
米开朗基罗，意大利文艺复兴时期伟大的艺术家，英文名字：Michelangelo Buonarroti，出生于1475年，他一生追求艺术的完美，坚持自己的艺术思路。他于 1564 年在罗马去世，他的独特艺术风格几乎影响了长达三个世纪的艺术家。他还是意大利文艺复兴时期伟大的绘画家、雕塑家、建筑师和诗人，意大利文艺复兴时期雕塑艺术最高峰的代表，与拉斐尔和达芬奇并称为文艺复兴后三杰。米开朗基罗是人类艺术史上极具天才、智慧和勇气的综合结晶，作为文艺复兴时期的巨匠，他的作品和美丽对后世产生了无与伦比的影响。
米开朗基罗的人物简介
米开朗基罗（1475年3月6日－1564年2月18日），全名米开朗基罗·迪·洛多维科·博纳罗蒂·西蒙尼，又译“米开朗琪罗”，是意大利文艺复兴时期杰出的通才、雕塑家、建筑师、画家和诗人，与列奥纳多·达芬奇和拉斐尔·圣齐奥并称“文艺复兴艺术三杰”，以人物“健美”著称，即使女性的身体也描画的肌肉健壮。
他的雕刻作品“大卫像”举世闻名，美第奇家族墓前的“昼”、“夜”、“晨”、“昏”四座雕像构思新奇，此外著名的雕塑作品还有“摩西像”、“大奴隶”等。他最著名的绘画作品是梵蒂冈西斯廷礼拜堂的《创世纪》天顶画和壁画《最后的审判》。
他还设计和初步建造了罗马圣伯多禄大殿，设计建造了教皇尤利乌斯二世的陵墓。米开朗基罗脾气暴躁，不合群，和达芬奇与拉斐尔都合不来，经常和他的恩主顶撞，但他一生追求艺术的完美，坚持自己的艺术思路。罗曼·罗兰写过《米开朗琪罗传》，归入《名人传》中。米开朗基罗是《大卫》，《创世纪》的作者。
扩展资料
1498 年，年仅 23 岁的米开朗基罗开始为罗马圣彼得大教堂创作大理石群雕像《哀悼基督》，两年后即告完成。作品取材于圣经故事：耶稣基督被钉死在十字架上后，圣母玛丽亚抱着死去的儿子无比悲痛。
作品一问世，立即引起轰动，人们不相信它出自一个年轻人之手，为此，米开朗基罗将自己的名字刻在了雕像中圣母胸前的衣带上，这是他一生中唯一署名的作品。
米开朗基罗塑造出来的不仅仅是一尊雕像，而是文艺复兴人文主义思想在艺术上得到充分体现的象征。它赞美人体，讴歌正义和力量。这尊雕像被认为是美术史上最值得夸耀的男性人体雕像之一，亦成为后世艺术家学习雕塑的楷模。
1508 年，教皇朱利奥二世要求米开朗基罗为梵蒂冈西斯廷教堂绘制穹顶画。米开朗基罗本来不愿从命，但他一旦接受就追求完美，决不“亵渎”艺术。历经四年零五个月的时间，完成了传世巨作穹顶画《创世纪》。
《创世纪》取材于《旧约全书・创始纪》，整幅作品 511 平方米，中心画面由《创造亚当》、《创造夏娃》、《逐出伊甸园》等 9 个场面组成，大画面的四周画有先知和其他有关的故事，共绘了 343 个人物，其中有 100 多个比真人大两倍的巨人形象，他们极富立体感和重量感。
米开朗基罗简介
米开朗琪罗简介，如下:
米开朗基罗，意大利文艺复兴时期杰出的雕塑家、建筑师、画家和诗人，与列奥纳多·达芬奇和拉斐尔·圣齐奥并称“文艺复兴艺术三杰”。1564年在罗马去世，时年88岁。他的风格影响了几乎三个世纪的艺术家。小行星3001以他的名字命名，以表达后人对他的尊敬。
米开朗琪罗简介
米开朗基罗·博那罗蒂，又被为译“米开朗琪罗“，意大利文艺复兴时期伟大的绘画家、雕塑家、建筑师和诗人，文艺复兴时期雕塑艺术代表，与拉斐尔和达芬奇并称为文艺复兴后三杰。
米开朗基罗先是以雕刻家的身份逐渐稳定住了自己艺术家的地位。1499 年创时作的《哀悼基督》是即他的成名之作，解剖学科的实践和细致入微的匠心吻合了、而且超出了人们可以理喻的“鬼斧神工“，被誉为 15 世纪最动人的人性拥抱神性，悲剧却掩饰了哀伤的作品。
这一时期的作品是创作于 1501 年的《大卫》神化的人形早就确定。其后的一些雕刻作品是几组陵墓雕像，工作了很长时间，其中很著名的是《垂死的奴隶》、《被缚的奴隶》、《摩西》和《昼》、《夜》以及《晨》、《暮》等。
晚年未完成的四件雕刻作品其实是在为自己设计雕像，与《哀悼基督》是一样的题材，形象不明晰，手工也不是很细腻，估计是在走过了八十多年的人生路程之后，向世人诉说，不是人生的抱负无以施展，而是天国的奥秘藏而不露。
米开朗基罗雕刻的作品风格的形成和创作的走向和其绘画作品的风格的形成和创作的走向是一样的：英雄气概磨难而成，壮心不已的烈士暮年。
扩展资料
艺术成就——无与伦比的雕塑
米开朗基罗以人体作为表达感情的主要手段，其雕刻作品刚劲有力、气魄宏大，充分体现了文艺复兴时期生机勃勃的人文主义精神。
1498 年，年仅 23 岁的米开朗基罗开始为罗马圣彼得大教堂创作大理石群雕像《哀悼基督》，两年后即告完成。作品取材于圣经故事：耶稣基督被钉死在十字架上后，圣母玛丽亚抱着死去的儿子无比悲痛。
米开朗基罗却将圣母刻画成一个年轻、貌美、恬静、典雅的少妇，她默默地俯视着死去的儿子，沉思、哀悼，耶稣静静地躺在圣母膝上，面部表情安祥。整座雕像沉浸在肃穆气氛中，并洋溢着人类最伟大的母爱情感。
它已大大超出了题材的限制，将生与死、痛苦与慈爱化为一体，和谐统一，赞美了人的崇高理想和优秀品质。作品一问世，立即引起轰动，人们不相信它出自一个年轻人之手，为此，米开朗基罗将自己的名字刻在了雕像中圣母胸前的衣带上，这是他一生中唯一署名的作品。
米开朗基罗简介英文
米开朗基罗，意大利文艺复兴时期伟大的绘画家、雕塑家、建筑师和诗人，文艺复兴时期雕塑艺术最高峰的代表，与拉斐尔和达芬奇并称为文艺复兴后三杰。下面是我给大家整理的米开朗基罗简介英文，供大家参阅!
米开朗基罗简介
Michelangelo Buonarroti (March 6, 1475 - February 18, 1864), also translated “Michelangelo“, the Italian Renaissance great painter, sculptor, building Division and poet, Renaissance sculpture art of the highest peak of the representatives, with Raphael and Da Vinci and known as the Renaissance of Sanjie.
His father was Lodovico di Leonardo Buonarroti di Simoni whose mother’s name was Francesca di Neri Deli Francesca di Neri del Miniato di Siena.
His life to pursue the perfect art, adhere to their artistic ideas. He died in Rome in 1564, and his style influenced artists for almost three centuries.
The asteroid 3001 is named after his name to express his respect for his descendants.
Roman Roland wrote “Michelangelo“, classified as “celebrity biography“. Michelangelo is the author of “David“, “Genesis“.
米开朗基罗人物生平
On March 6, 1775, Michelangelo Bonarotti was born in the city of Florence, near the Italian city of Capers (Capogez), a city of Florence, a middleman, his father is Caprex and Chiusi two districts of the highest chief executive. Mother died when Michelangelo was six years old. Michelangelo, at the age of 13, entered the studio of the famous painter Dumenico Girlandaio in Florence, where he first touched the divine cause of his life and mastered the painting skills at the magical pace The And then follow the multi-Tuo Luo students Bertold more than a year to learn a sculpture,
Then he went into the “free art school (the American School of Fine Arts)“, which was run by the Florentine ruler, by Lorenzo Meredith, and because of his superiority and mercy by Lorenzo, the large number of works of art in the court became his study , The object of study, often come in the palace of the humanist poets and scholars gave him a great influence. In just four years, he had a great artist in the Midiqi Palace must have the conditions for his entire artistic creation has laid a solid foundation.
In the house of Lorenzo, there is a “Platonic Institute“ where scholars gather together to study knowledge, and with the support of Lorenzo, they create a new ideology - humanism, whose idea is to return the world , The people returned to his own. The people of art, literature and science, as well as the individual’s independent thoughts and feelings returned to the people, people must not be like a slave tied to the dogma, in the chain of death decay.
Michelangelo also often goes to the religious reformer, the monk Savo Nalala to expose the dark speech of the church, the monk who is not afraid of the fate of the religious court in order to save the fate of mankind to his soul left an indelible mark The After the death of Lorenzo Ricci, Michelangelo lost the protector, Florence was caught in a mess, he felt the hometown of the land, went to Venice and Bologna, after turning Rome to find development opportunities. Rome everywhere ancient statue, as if into a huge treasure house of ancient art.
In 1496, Michelangelo came to Rome, created the first batch of masterpiece “Bacon Baku“ and so on. The 23-year-old Michelangelo was commissioned by the French Cardinals to make the “Mourning Christ“ statue for St. Peter’s Church. The advent of this statue, so that Michelangelo was covered in Rome, since the Dona Taro after another carved star rises.
In 1501, 26-year-old Michelangelo returned to his hometown of Florence, spent four years to complete the world-famous “David“, placed in front of the Virginia Palace, as the patron saint of Florence and the democratic government Symbolic.
In 1505, at the invitation of Julius II, Michelangelo went to Rome to build the tomb for the Pope in St. Peter’s Church. Michelangelo’s construction was so great that the Pope’s artistic director, Brahmant, was so jealous that he instigated the Pope Tempel Kelvin, forced Michelangelo to paint the Sistine Chapel Zenith Mural, Michelangelo spent four years and five months time with extraordinary wisdom and perseverance to complete the world’s largest murals Sistine Church Zenith Mural “Genesis“.
In 1513, the Pope’s tomb was rebuilt, and Michelangelo worked hard to create the famous “Moses“, “slaves“ and “dying slaves“.
1519 to 1534, 44-year-old masters and return to Florence, the birth of the Medici family of Pope Leo X and forced Michelangelo for his ancestral statue of St. Lorenzo mausoleum, he created his greatest life The famous statue “day“, “night“, “morning“, “twilight“ is placed on the sarcophagus of the mausoleum.
In 1536, 61-year-old Michelangelo was recalled to the Roman Sistine Chapel, with nearly six years in 25 years ago to complete the “Genesis“ zenith painting on the altar wall created a great Church fresco “final judgment“.
1562 by his students, the famous painter, art historian George Vasari invited to become Diano Academy (Florence Academy of Fine Arts) honorary president. After that he has been living in Rome, engaged in sculpture, architecture and a small amount of painting work, until February 18, 1564 died in his studio.
Michelangelo is the crystallization of human genius, wisdom and courage, his glory and achievements belong to all mankind. As the masterpiece of the Renaissance, with his magnificent masterpiece of time and space, in his lifetime and later generations have created an unparalleled great influence. He is as versatile as Leonardo da Vinci, with sculptors, painters, architects and poets. He was able to live to 89 years old, beyond the seventies years, spent more than 70 years of artistic career, he experienced ups and downs and ups and downs of life, so that his life left works with dramatic effects, majestic momentum and The tragedy of mankind.
米开朗基罗艺术成就
Unparalleled sculpture
Michelangelo to the human body as the main means of expressing feelings, the carving works of vigorous, bold, fully embodies the Renaissance vigorous humanistic spirit.
In 1498, only 23 years old Michelangelo began to Rome St. Peter’s Cathedral to create a statue of marble group “mourning Christ“, two years later to complete. Works based on the Bible story: Jesus Christ was crucified on the cross, the Virgin Mary holding the dead son extremely sad. Michelangelo portrayed the Virgin as a young, beautiful, quiet, elegant young woman, she silently overlooking the dead son, meditation, mourning, Jesus quietly lying on the knees of the Lord, facial expressions of serenity. The whole statue is immersed in a solemn atmosphere and filled with the greatest maternal love of mankind. It has greatly exceeded the subject matter of the restrictions, life and death, pain and love into one, harmony and unity, praised the lofty ideals and excellent quality. When the work came out, it caused a sensation, and people did not believe it was from the hands of a young man. For this reason, Michelangelo carved his name in the statue of Madonna’s chest, which was the only signature in his life s work.
150 years, 26-year-old Michelangelo began to create his world-famous masterpiece - “David“. Which lasted three years, he used a whole piece of marble sculpture of the “David“ total up to 5.5 meters. Michelangelo and his predecessors after the victory of the enemy David defeated the enemy’s head at the foot of the scene is different, but chose David to meet the fighting scene. The artist vividly shaped a heroic image of the struggle for the cause: young, handsome, strong, resolute, left hand, holding the ride on the shoulders of the “rubble“, the right hand drooping, like the fist, head micro Overlooking the front, ready to fight.
Michelangelo molded not only a statue, but the Renaissance humanism in the art of the full expression of the symbol. It praises the human body, Acura justice and strength. This statue is considered to be one of the most beautiful male statues in the history of art, and has become a model for later artists to study sculptures.
In order to protect the works of art, “David“ was originally placed in the Florence Academy of Fine Arts. Not long ago also carried out a thorough cleaning. Here year after year, day after day, visitors flocked. At the same time, in front of the city hall in front of the city of Florence and Michelangelo Square, respectively, stands a replica for people from all over the world to enjoy.
In addition, in the large number of carved works of Michelangelo, “Moses“ and “day“, “night“, “morning“, “twilight“ and “dying slaves“, “tied slaves“ Masterpieces.
Shaky painting
Michelangelo is so young and prestigious, often jealous, has also been broken nose, so that he lifelong self-esteem on their own appearance. However, his name also spread to the Pope’s ears.
In 1508, Pope Giulio II asked Michelangelo to draw dome paintings for the Vatican Sistine Chapel. Michelangelo did not want to live, but once he accepted the pursuit of perfection, never “profane“ art. After four years and five months time, completed the handed down giant duo painting “Genesis“.
“Genesis“ is based on the “Old Testament Founding Date“, the whole works of 511 square meters, the center of the screen by the “create Adam“, “create Eve“, “out of Eden“ and other 9 scenes, large screen There are prophets and other related stories, painted a total of 343 characters, of which there are more than 100 times larger than the reality of the giant image, they are very three-dimensional and sense of weight. The whole picture through people and people and the relationship between man and nature, to sing the human creativity and human beauty and spiritual beauty.
Michelangelo was lying on a shelf under the 18-meter-high ceiling, working with Superman’s perseverance, and when the whole work was done, the 37-year-old Michelangelo was tired. As long-term look up, head and eyes can not be low, even read the letter should be held to the head. He is the cost of health and life to complete the “Genesis“ for future generations to leave not only immortal works of art, but also his kind of dedication for the art of the spirit.
24 years later, Michelangelo and Pope Clement VII of the Covenant, in the Sistine Chapel altar on the front wall painted another shocking huge murals “Doomsday trial.“ Michelangelo worked alone for ten years alone, drawing about four hundred characters on a 220-square-meter screen. In the middle of the painting, Christ’s righteousness, his right hand, is about to issue a final judgment. Michelangelo also painted a pope to be convicted to accept the hell of a group of people suffering. Christ’s left foot A saint’s right hand with a knife, his left hand carrying a human skin, and this skin is the face of the painter’s own face, his face pain, anger, the performance of Michelangelo is experiencing the spirit and The torture of the crisis and the dissatisfaction with the real world, and by the “doomsday trial“ painful dripping to the human ugly whipping.
“Doomsday trial“ caused by the sensation can be imagined. However, the nude figure in the masterpiece is controversial, some people think that obscene gods. Soon after the death of Michelangelo, the new Pope Pius IV ordered all nude figures painted fig leaf or clothing. Later, people will be ordered by the painter jokingly called “underwear manufacturers“.
Magnificent architectural design
Michelangelo in his later years with great enthusiasm into the architectural art, and has profound knowledge, so he has become the Italian Renaissance one of the most famous architects.
Michelangelo made a great contribution to the construction of the St. Peter’s Basilica in Rome, where he was involved in the design and hosting of the project. He designed the church for the diameter of 42.34 meters of the huge circular dome is not only magnificent, but also from the local to the whole are masterpieces of fine art. The building of St. Peter’s Cathedral was vast until it was completed in 1626. It is regrettable that Michelangelo was unable to see his own work. For centuries, it was difficult for countless visitors to board the big dome when all the wonder: Michelangelo was great!
On the Roman Camposio hill, which is connected to the Roman ruins, Michelangelo designed the Roman city hall complex, which is the perfect representative of the Renaissance palace architecture.
米开朗基罗是什么时候成名的
米开朗基罗是意大利文艺复兴时期最著名的艺术家之一，那么米开朗基罗什么时候成名的?下面是我为你 收集 整理的米开朗基罗什么时候成名的，希望对你有帮助!
米开朗基罗25岁一举成名
25岁对于现在的很多人来说，可能从大学校园走出来时间不长，也可能刚参加工作不久。但米开朗基罗25岁的时候已经在罗马名声大噪了，势不可挡地成为 雕刻 界一颗冉冉升起的巨星。
哀悼基督》的问世让25岁的米开朗基罗风光无限、衣锦还乡，这一切与他多彩的童年是密不可分的。他很小的时候就被寄养在一个石匠的家里，周围所处的环境不是山里就是采石场。所以他渐渐熟悉了雕刻所需的工具并掌握了高超的石刻技术，他对石头非常敏感。13岁那年他又被送到画坊学画，同样以很快的速度掌握了 绘画 技巧，很多人都觉得他是天才。几年后，他开始了雕塑的创作。由于他天赋异禀加上备受器重，他的雕塑水平得到了突飞猛进的发展。
《哀悼基督》是米开朗基罗25岁时的成名之作，也是他早期最著名的代表作。这件作品刻画了圣母青春永恒的美，表现了一位母亲失去儿子的悲痛之情。他同年的作品《彼耶达》也同样表现了圣母的温柔和母爱的伟大。从这些雕像的面容似乎可以感受到人物的内心活动，这种表现手法是他25岁前后作品的风格。而这些作品也正是米开朗基罗内心世界的独白，深刻体现了作者对人性的关怀和主张自由平等的世界观。
米开朗基罗在艺术之路上一直精益求精，也始终坚持着自己的创作思路。这从他25岁时的作品中就可见一般。
米开朗基罗艺术成就
米开朗基罗艺术成就一：首先是米开朗基罗作为一位雕塑家做出了杰出的贡献。米开朗基罗创作的大卫雕像、摩西雕像和著名的圣母抱基督尸体哀戚之雕像都堪称为登峰造极的艺术品。这些雕塑作品深刻的影响着后世的艺术家们，是雕塑史上不可逾越的高峰。
米开朗基罗艺术成就二：再者米开朗基罗在绘画方面也有着不俗的成就。作为一位画家，米开朗基罗无论从他传世作品的质量，还是对历代画家的影响来看，都是无与伦比的。他为装饰罗马西斯廷教堂天花板那套巨型 壁画 《创世纪》和《最后的审判》被真正地誉为是历代最伟大的艺术成就之一。
米开朗基罗艺术成就三：米开朗基罗在这方面取得的辉煌成就之一就是设计了佛罗伦萨麦第奇教堂。他还为罗马的圣•彼得担任多年的总工程师。
米开朗基罗艺术成就四：米开朗基罗一生中创作了非常多的诗歌，流传下来的大约有300首。他的众多首十四行诗和其他韵体诗直到他去世后很久才被发现并且发表。这些诗可以使我们深刻地了解他的思想和个性，也清楚地表明了他是一个天才的诗人。
米开朗基罗孤独是怎么样的
米开朗基罗是一位天才的艺术家，他的作品里充满了善良和友爱。但是米开朗基罗孤独一生，终身未娶，甚至没有一个真正的恋人。他的一生都在和穷困潦倒、和教会的统治势力作斗争。他在精神上追求自由、平等、解放，在创作中热情似火，最后却在工作室里孤独地死去。
他似乎总是显得与别人格格不入，所以他形成了焦虑、多疑的性格。他总是怀疑家人和朋友要伤害他，但是他又深爱着他的亲朋好友，他显得很矛盾。米开朗基罗一生都在教皇的控制之下，没有什么自由和快乐可言。当前一任的教皇死去后，他觉得自己终于可以松一口气了，但是下一任教皇接着就把他找出来了。当世人惊叹他的艺术天分时，他依然在孤独中默默承受着痛苦。
没有爱情的米开朗基罗孤独地生活着。他也曾经有一位很好的异性朋友，但他们之间的交往也只是一种精神上的友谊。这位异性朋友虽然也给米开朗基罗孤独的生活带来了一些安详和慰藉，但是当她死去的时候，他知道自己连仅有的一丝慰藉也烟消云散了。他很悲痛，他对这个世界充满了绝望，他渴望早点挣脱残酷现实的羁绊。他在作品中勇敢地指出了对现实的不满和批判，用现实中的孤独来丰富艺术的多姿多彩。
猜你感 兴趣 ：
1. 画家米开朗基罗是哪个时期的
2. 拉斐尔的死因是什么
名人故事：米开朗基罗
名人故事：米开朗基罗
鸡窝里飞出凤凰
米开朗基罗的父亲是一位落魄的贵族，贫穷和失业使他变得粗暴冷酷。他对米开朗基罗执意要当艺术家的念头格外恼怒，他决不容许博那罗蒂家的人用凿刀和画笔这种下等工具来浪费时间。他的五个儿子都该去经商，必须成为有钱有势的人，他把所有的希望寄托在他的儿子身上，他相信皮鞭是最好的教育手段。这位对艺术一窍不通的父亲，甚至在米开朗基罗成名后，也不曾真正醒悟，只能从儿子所得到的越来越多的荣誉和金币中体会出一点点艺术的价值。
当米开朗基罗大着胆子把拜名画家吉兰达约为师的事告诉父亲时，父亲愤怒了：“什么?我送你到学费昂贵的学校去深造，是想你有朝一日当个大阔商，佛罗伦萨的豪富们都是这样起家的。你以为我会让你白白地虚度年华，去当画匠来给祖宗脸上抹黑吗，三百年来，没有哪个博那罗蒂的子孙堕落到靠苦力谋生的地步。”
“佛罗伦萨人不是因为有多纳太罗的雕刻和吉兰达约的壁画而感到骄傲吗?我为什么不能去做佛罗伦萨人引以为荣的工作呢?我身上只能榨出艺术。”米开朗基罗试图让父亲明白自己想成为艺术家艺术家的决心。
但是，这位暴怒的老贵族一边叫喊着：“我教你去当贱种吧”一边用拳头捶打着幼小的米开朗基罗。可他仍旧不肯向父亲屈服，口里不停地念着他祖母的格言：“别动火，一个人生来想干什么就该干什么。”
这时，祖母跑进来说：“孩子必须自我生活，米开朗基罗想进画室就让他去吧。”
衰败的博那罗蒂家族，终于走出一位叛逆者，成了“神圣的米开朗基罗”。
走出逆境靠自己
罗伦索·美第奇是佛罗伦萨的掌权者，他酷爱艺术，14岁的米开朗基罗有幸得到罗伦索的赏识，进入他的花园中作画。??
然而罗伦索的病逝，使米开朗基罗在美第奇宫廷花园无忧无虑的生活仅仅持续了3年，执掌宫廷的皮埃罗不再容留他了。但很快米开朗基罗幸运地得到了修道院副院长的默许，每天半夜偷偷地去教堂的停尸房中解剖尸体，这在当时是犯罪的，可为了艺术，米开朗基罗克服了恐惧和一切困难，终于把人体了如指掌，这为他以后的艺术创作打下了坚实的基础。
罗伦索死后，意大利宗教改革家萨沃那罗鼓动贫民反对皮埃罗的统治，法国国王查理也向该城市进军。美第奇花园几世纪收藏的珍宝散弃街头，无数艺术品被毁。米开朗基罗也不得不逃离佛罗伦萨，前往博洛格那。
在新的城市，米开朗基罗接受委托为教堂制作一件雕像，然而由于成就已经远远地超过同行，他受到排挤而不得不离开博洛格那，回到了故乡，但这里也并不欢迎他，于是米开朗基罗想到罗马去碰碰运气。
22岁的米开朗基罗所看到的罗马，是座音乐和谋杀、文明和野蛮交织在一起的城市，他看到的是微贱家庭的虔诚及达官贵人的穷奢极欲，他觉得自己与外界格格不入，是个陌生人，他忧愤地说：“我没有朋友，我不需要一个朋友，亦不会有一个朋友。”幸运的是，米氏只凭自己的才气，最后终于被这座野蛮利己无情竞争的城市所接受，他应征为圣彼得教堂雕塑圣母与基督。作品的成功，使他在罗马名噪一时，他生平第一次也是最后一次在虚荣心的作用下，将自己的姓名和故乡刻在雕像上。
26岁的米开朗基罗重返佛罗伦萨，他用了两年的时间，完成大卫的雕像。大卫像揭幕的那天，全城的人像过节一样兴高采烈，他们称这座雕像为“巨人”。
“巨人”的名声把米开朗基罗带回了罗马，新教皇给他20万银币请他为自己建造一座陵墓。然而，嫉妒者再一次蜂拥而至，纷纷向教皇挑拨说一个活人为自己建陵墓是不吉利的’，教皇听信谗言不再见米开朗基罗，也不再为他拨款。米开朗基罗愤然离去。以后教皇多次召见他，皆遭拒绝，最后教皇亲自去请他，他们相约在途中见面。
米开朗基罗一生就是这样，他从不向权贵低头，他说：“一个人一成为达官贵人的驮骡后，就得驮到死。”
终生未婚为哪般
米开朗基罗终生未婚，有人认为，这是由于他其貌不扬，导致他有很强烈的自卑感。文艺复兴是个讲究仪容的时代，而他中等身材，双肩宽阔，躯体瘦削，头大，眉高，两耳突出面颊，脸孔长而忧郁，鼻子低扁，眼睛虽锐利却很小。可以说，他的长相非常糟糕，不讨人喜欢。
他不怎么喜欢漂亮女人，屋里有女人他就受不了。他也画女人，但总是画成熟的女人，而不是那种妩媚的少女。当时很多艺术家都将人的肉体看作美的体现和源泉，米开朗基罗却对此无动于衷。
还有人说米开朗基罗之所以终身未娶，是由于他是个同性恋者。大约在1532年，托马索·卡瓦列里来到圣安杰洛学习，并以自己英俊的外表和优雅的仪态吸引了米开朗基罗。米开朗基罗爱上了他，并写情诗给他。
后人通常将米开朗基罗与达·芬奇并列为历史上最著名的同性恋者。不过，在文艺复兴时期，这种男人对男人示爱的情形很普遍，女人之间也是一样。
1542年，67岁的米开朗基罗结识了50岁的科隆纳，但是科隆纳认为自己仍然属于已经死去17年的丈夫，这就注定了他们之间的交往只是一种精神上的爱恋。她送给他143首诗，他的回答也充满爱慕和热情。
他们经常在一起讨论艺术和宗教，在这段日子里，米氏长期存在的悲观情绪消失了。1547年，科隆纳去逝，这使米开朗基罗在很长一段时间内极为消沉，他自责在她生命的最后时刻，没有亲吻她的脸和手。
警世箴言
对好人行善，会使他变得更好;对恶人行善，他就会变得更恶。
睡眠是甜蜜的，成了顽石更是幸福，只要世上还有羞耻与罪恶存在着，不见不闻，无知无觉，便是我最大的幸福，不要来惊醒我!
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